RUFUS REID EVOLVING BASSIST EBOOK DOWNLOAD HOW TO
RUFUS REID EVOLVING BASSIST EBOOK DOWNLOAD PDF
RUFUS REID EVOLVING BASSIST EBOOK DOWNLOAD PROFESSIONAL

RUFUS REID EVOLVING BASSIST EBOOK DOWNLOAD PROFESSIONAL

Like all вЂњfingering rules,вЂќ these are really guidelines more than rules, and in professional playing situations, I find myself breaking them all the time. I often tell students that they want to have some fingers to use when they get to the new position. Whenever possible, we want to lead with a lower numbered finger when ascending the bass and lead with a higher numbered finger when descending the bass. It also happens to be a great exercise for developing two of the most fundamental вЂњfingering rulesвЂќ on the bass: I think of this is a вЂњtraining wheelsвЂќ chromatic scale. Approach #1 вЂ“ Half and First position Chromatic Scale

RUFUS REID EVOLVING BASSIST EBOOK DOWNLOAD PDF

Remember, you can also download all these examples as a PDF if you like. All three will teach you to look at the bass fingerboard in a new way, and I continue to practice all three approaches on a regular basis. Here are my three favorite ways to approach chromatic scales, arranged in order of complexity. When approached intelligently, however, mastering chromatic scales will level up your bass game tremendously, and there are several good entry points that I recommend for beginning and intermediate bassists.

RUFUS REID EVOLVING BASSIST EBOOK DOWNLOAD HOW TO

They can you into unfamiliar positions and, it can be hard to understand how to play them in tune at first.Д®ven referring to them as вЂњscalesвЂќ (plural) is misleading since, in reality, thereвЂ™s just one gigantic chromatic scale from the lowest to highest register for every instrument.

They also happen to be one of the most frustrating things for beginners to practice, however.Д¬hromatic scales donвЂ™t map neatly onto the bass fingerboard.

In so ways, they are the most important scale to practice. IвЂ™ve always had a love-hate relationship with chromatic scales. Chromatic Scales are Deceptively Challenging WeвЂ™ve created a downloadable PDF guide for all of these, and weвЂ™ve got a PDF with these chromatic scale exercises for you here as well. So far, weвЂ™ve covered one octave major scales, minor scales, and major arpeggios.

He remains a вЂњChameleon,вЂќ true to his signature track from 1973, covering songs by his friend and collaborator Joni Mitchell and working alongside Kendrick Lamar, Thundercat, and Flying Lotus in the studio.WeвЂ™re continuing our beginner bass series this week with chromatic scales. The Chicago-born Hancock achieved commercial success on his own terms, following a genuine creative path while ignoring barriers between jazz and pop (the title shared by his 2005 album and his 2014 memoir, Possibilities, said much about his worldview). But Hancock repeatedly changed course, from the abstract electric jazz of his Mwandishi sextet to the tightly coiled jazz-funk fusion of Head Hunters to his prescient electronic experimentation with producer Bill Laswell in the вЂ™80s. If Herbie Hancock had faded from view after his momentous mid-вЂ™60s stint with the Miles Davis Quintet and his pioneering Blue Note releases in the same period, his reputation as one of the most consequential pianists in jazz history would still have been assured. The main title music is the best track - tense, streaked with Hancock's echo-delayed electric piano and understated orchestrations. Jerry Peters provides the requisite orchestral backgrounds, and the wah-wah guitar licks give some indication as to where Herbie's funk music would be going in the future. Do A Thing by Herbie Hancock from the ost Death Wish.

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